Downton Abbey Season III episode 3 review

This episode had one theme of responsibility and another of the role of women in 1920's England. In this episode, Mrs Hughes and Mrs Crawley try to help Ethel and he son, the maids like the new footman, Bates and Anna can't get each others' letters while upstairs, Edith doesn't know what to do with her free time, while Branson runs from Irish authorities leaving Sybil to escape from Ireland by herself.

This episode highlighted the plight of women in that era where Ethel got no help to raise her son, finally making the painful decision to give her son to his grandparents. Edith takes on the women's cause by writing about the discrimination against women who are not allowed to vote unless they are over 30 and a landowner. In the last 2 episodes, you can see Lady Mary being more authoritative concerning the decisions about the running of the estate and the family. Daisy likes Alfred but in the tradition of the times, women weren't supposed to be forthright about making their feelings known. She is torn about what she should do.

Branson returns to ask for refuge from the Irish police who want him for involvement in the burning down of a castle and driving out of an aristocratic family. He earns the ire and scorn of Robert and Cora for it appears that he has run away leaving his pregnant wife to fend for herself and find her way to Downton on her own. Last but certainly not least, Bates finally solves his problems in gaol and his letters find their way to his lovely Anna and vice versa.

I enjoyed this episode immensely because the balance and pacing were excellent. The episode moved from the gut wrenching trauma of Ethel giving up her son to Carson thinking the smoke from a toaster was a fire. I particularly liked the fact that one can be hooked by the simple plot device of letters not getting to their respective recipients. Can't wait for next week.

Downton Abbey Season III episode 2 review

"Upstairs", this episode focused on Edith's upcoming nuptials with Sir Anthony, the possible sale of the family home and Matthew's reusal to accept Mr. Squire's fortune. "Downstairs", the theme for the episode was gossip. Carson overhears Ms Padmore and Mrs Hughes talking about the latter's possible illness, Thomas tries to extract reveng on O'Brien by feeding the gullible Mosely a false piece of gossip and Anna finally gets to speak with a friend of Bates ex-wife.
It is finally time for Edith to be in the spotlight. Over the course of 2 seasons, we have seen Edith grow from an envious sister who reports her elder sister's scandalous indiscretion to an intelligent, independent woman who can drive, helped on a farm and supports wounded soldiers with coming to terms with their injuries. Through all this change however, one thing remains constant - her need for love and a partner. This need appears to be mad...e more acute by the marriages of her siblings. The buildup is well paced and we are kept guessing as to whether Sir Anthony will go through with the wedding. Likewise, we are kept in suspense as to whether Mrs Hughes diagnoses will be bad. On the other hand, I felt that Matthew Crawley saving Downton was predictable, although the manner by which he was made to change his mind was interesting.
Two interesting points: Lady Mary calls her mother-in-law by her first name when speaking to her husband. I think in modern times one would say "your mother" when referring to your husband's mother when speaking to him.
The two wedding dresses were very, very different. Lady Mary's dress had a very medieval look to it, while Lady Edith's looked 20th century.
I enjoyed the episode, which as always had great balance between uplifting occurrences and emotional devastation. We are also learning more about Mr. Bates and I am eager to find out more about the circumstances of his wife's death.

Downton Abbey Season III premiere review

It is now 1920 and the winds of change are blowing through the estate. Lady Mary is to wed Matthew Crawley, Lady Sybil has scandalously eloped with the chauffeur, Branson. Lord Robert receives news that his fortune and that of his wife's have disappeared in a bad investment. Matthew receives news that he will inherit a fortune from his late almost father-in-law, but refuses to help the Grantham family because he wishes to honor a dying man's belief that he was completely in love with his daughter. Last but not least Cora's mother is comes from Newport, Rhode Island to attend Lady Mary's wedding.
This premiere devoted a lot of time to emphasize that the family's desire to hold on to tradition and English culture were at odds with the outside world. Branson had diatribes about the English oppression of the Irish and Cora's mom made many snide remarks about traditions and letting these hold power over one's life. This was further illustrated when a party degenerated into a farce when Lord Robert and Matthew did not have white collars to wear, although both looked resplendent in their evening attire while the stove broke down and guests had to eat buffet style which was thought uncouth and uncultured.
The sideplot of Anna and Mr. Bates, moved along as we saw that Anna was trying her best to help her beloved husband get acquitted for a crime he didn't commit. One scene hoewever, where Bates shows a violent side is meant to make us doubt his prveiously unquestionable innocence. these 2 characters are two of my favorites and I find myself wanting only the best for them. We will have to wait to see. 
I am found myself torn over Matthew's position and his predicament. Will he help the financially strapped family or will he stay with his conscience and the honor code of gentlemen? The question is not new but is nevertheless very interesting. It is a conundrum that plagues those of us who grow up with the concept that honor and integrity is a defining part of one's character. The question really can be distilled into: If I do this, am I the same honorable person as before, am I the same person who charmed Lady Mary?
Overall I enjoyed the show (as I almost always do). I enjoyed the usual intrigues, repartee between the women and of course romance. All were beautifully presented as usual. I think that the show does not do as well when the characters have to respond quickly to a problem (in this case the degeneration of the party) or if there is a long grandiose scheme which puts everyone in an unusual situation (tranforming the house to convalescent home for soldiers; season II). I think there is a tendency to "overdo" these situations. These are minor imperfections as the series and this episode continues to be remarkably absorbing.